Lincoln Center Reborn

The recent work of Diller Scofidio + Renfro at Lincoln Center has been breathtaking.

The stunning incision to Alice Tully Hall never fails to astound me with the life that has been brought out to the street. The new fountain, glass canopies, entrances and car drop-off shimmer with a sense of rebirth. Cool, elegant and open-armed – the new elements set off the older elements in a way that seems to give the older elements greater stature.

The best aspects of the new design reverse an attitude of hostility toward the urban context. Where the original design isolated itself from the city, the new elements embrace the city in a more playful, engaging way. Bravo!

Early FOG

I have always preferred the work of the early Frank O. Gehry over the later Frank.

The early Frank, the pre-Bilbao Frank, is an architect hell-bent on expressive form within a limited budget.

A beautiful example is the unbuilt Wagner House of 1978. The simple play of geometry against a steep slope produced a building with a tremendous sense of movement -- as if the whole structure has begun to tumble down the hill.

In homage, I have constructed a simple 3D model:

The Keys To a Low-Key Generation

The generation after the Baby Boomers has long recognized that it does not have the demographics, the sheer numbers, to be the majority influence on power and culture in the United States.

But it does have time on its side.

From the sidelines it has watched the Boomers crash and burn; and make reckless claims and unfulfilled promises. In the arts, spectacle reigned supreme. All this apparently has come to close with the crashing of the economy. A space has opened up for the younger generation to define itself. What does the future hold?

As a member of this Low-Key generation, I think the new direction in the arts is OBVIOUS. It is less a reaction against the previous generation, and more of a matter of self-definition.

OVERSTATEMENT is out.

GROUP IDENTIFICATION is out.

INDIVIDUAL ACHIEVEMENT is in.

WHIMSY WITHIN MEANS is in.

Modest and pragmatic may not hold much attraction to the Boomers. But to a Low-Key generation it has been a method to make sense of the madness leftover from the Boomer’s party.

*****

Below is an excellent example of Tao imagery: